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Trappings: Stories of Women, Power and Clothing
by Two Girls Working: Tiffany Ludwig & Renee Piechocki

New York Women Are Part of a National Traveling Art Exhibit
Making a Stop at the Bronx River Art Center for Women’s History Month
Project uses clothing as a vehicle to explore identity, power, and appearance

On view from March 7 – April 12, 2008
Gallery Hours: M – F 3 – 6:30pm, Sat 11 – 5pm


Two Girls Working, Trappings: Participants, 2007,
photo installation (installation view), dimensions variable

Bronx, NY… For over six years now, more than 500 women of all shapes, sizes, ethnicities and social backgrounds have been put on the spot with one, simple question: “What do you wear that makes you feel powerful?”  More than two dozen women from New York participated.  The point was not a fashion gossip session, but instead a look inside the minds of American women’s thoughts on power and identity. 

Entitled Trappings: Stories of Women, Power and Clothing, the exhibition includes interviews of women from a vast cross-section of American society, including many women from New York.  From students and amateur boxers, belly dancers and CEOs, housewives, hockey players, and everyone in between, the multi-media artwork installation includes photography, video, and audio created from Trappings participant interviews.  The exhibition also includes project ephemera that presents the artists’ process for interviews and artwork creation.

Trappings is an artwork by Tiffany Ludwig of Glen Ridge, New Jersey and Renee Piechocki, of Pittsburgh, Pennsylvania. The pair, known as Two Girls Working, has been cultivating this national public art and performance project since 2001.  They have personally interviewed 76 groups of women, ranging in age from 4 through 92, in 15 states.  They have traveled to each region of the country to meet with more than 500 participants.

Interviews have been conducted in group environments that are deliberately modeled after a Tupperware or Mary Kay house party in order to appropriate a format, which historically allows women the opportunity to gain work experience and financial independence.  They first interviewed women from New York in 2001 at the offices of Women’s Wear Daily and at private home in Patchogue, Long Island.  In February 2004, the artists were invited to Baruch College to interview a group of students and mentors affiliated with the Financial Women’s Association.  In 2005, they interviewed a group of artists at the home of Martha Wilson in Brooklyn.

“New York women contributed outstanding interviews,” said Ludwig.  “It is exciting for us to present their photographs and interviews in context of the national project.  When people visit this exhibition, they have the opportunity to encounter women’s stories that will expand their ideas about what power means and investigate the assumptions they make about other’s appearance.”

The artists say they were dismayed by a lack of dialogue about feminism and women’s issues by diverse groups, and initiated Trappings to explore individualized approaches to power through interview-based community dialogue. 

“This is not a statement about fashion,” Piechocki explained.  “The project uses clothing as a starting point for conversations about identity, power, and appearance.  Trappings explores and reveals the cultural expectations and reservations placed upon each of us as dictated by our gender, culture, race, class, or profession.”


Crystal Barrett participates in a Trappings interview session in Memphis, TN.
photograph by:  Two Girls Working


Clara Lee Arnold participates in a Trappings interview session in Oxford, Mississippi.
photograph by:  Two Girls Working

For more information about the exhibit, please contact:  
José Ruiz / 718 589-5819(x14) / jruiz@bronxriverart.org

Or visit:  www.twogirlsworking.com


Credits: This program is made possible with public funds from The New York State Council on the Arts a state agency and federal funds from the Department of Youth and Community Development and the Department of Cultural Affairs and it’s Material for the Arts program; Bronx Borough President Adolfo Carrion Jr., The Bronx Delegation of the City Council and US Congressman Jose E Serrano’s WCS-NOAA Lower Bronx River Partnership. Corporate and foundation support includes: Con Edison; Time Warner Youth Media and Arts Fund; The Carnegie Corporation; The New York Community Trust and The Helena Rubinstein Foundation. Additional support is provided by JP Morgan Chase through the New York State Multi Arts Consortium (NYMAC); the Ford Foundation through the Bronx Council on the Arts and the generosity of our patrons.

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